Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot. A product of the hippie counter-culture and sexual revolution of the 1960s, several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.

Hair tells the story of the "tribe", a group of politically active, long-haired hippies of the "Age of Aquarius" living a bohemian life in New York City and fighting against conscription into the Vietnam War. Claude, his good friend Berger, their roommate Sheila and their friends struggle to balance their young lives, loves and the sexual revolution with their rebellion against the war and their conservative parents and society. Ultimately, Claude must decide whether to resist the draft as his friends have done, or to compromise his pacifistic principles and risk his life by serving in Vietnam.

After an off-Broadway debut in October 1967 at Joseph Papp's Public Theater and a subsequent run in a midtown discothèque space, the show opened on Broadway in April 1968 and ran for 1,750 performances. Simultaneous productions in cities across the United States and Europe followed shortly thereafter, including a successful London production, which ran for 1,997 performances. Since then, numerous productions have been staged around the world, spawning dozens of recordings of the musical. Some of the songs from its score became Top 10 hits, and a feature film adaptation was released in 1979. A Broadway revival opened on March 31, 2009, earning strong reviews and winning the Tony Award and Drama Desk Award for best revival of a musical. In 2008, Time magazine wrote, "Today Hair seems, if anything, more daring than ever."

Before the move to Broadway, the creative team hired director Tom O'Horgan, who had built a reputation directing experimental theater at the La MaMa Experimental Theatre Club. He had been the authors' first choice to direct the Public Theater production, but he was in Europe at the time.[ewsweek described O'Horgan's directing style as "sensual, savage, and thoroughly musical... [he] disintegrates verbal structure and often breaks up and distributes narrative and even character among different actors.... He enjoys sensory bombardment."

Hair underwent a thorough overhaul between its closing at the Cheetah in January 1968 and its Broadway opening three months later. The Off-Broadway book, already light on plot, was loosened even further, and 13 new songs were added. The song "Let the Sun Shine In" was added so that the ending would be more uplifting. In rehearsals, O'Horgan used techniques passed down by Viola Spolin and Paul Sills involving role playing and improvisational "games". Many of the improvisations tried during this process were incorporated into the Broadway script. O'Horgan and new choreographer Julie Arenal encouraged freedom and spontaneity in their actors, introducing "an organic, expansive style of staging" that had never been seen before on Broadway. The inspiration to include nudity came when the authors saw an anti-war demonstration in Central Park where two men stripped naked as an expression of defiance and freedom, and they decided to incorporate the idea into the show.O'Horgan had used nudity in many of the plays he directed, and he helped integrate the idea into the fabric of the show.

Papp declined to pursue a Broadway production, and so Butler produced the show himself. For a time it seemed that Butler would be unable to secure a Broadway theater, as the Shuberts, Nederlanders and other theater owners deemed the material too controversial. However, he pulled some political strings through family connections and convinced theater owner David Cogan to make the Biltmore Theatre available.

Yaytickets.com is your premium concert ticket broker for all Hair concerts, Yaytickets sells premium tickets for Hair events . If you can't find Hair Tickets for the performance or venue you want, please check back later as we are always updating and adding new Hair tickets to our inventory.

YayTickets offers the largest inventory of Hair on the ticket market. Because we are constantly gathering new Hair tickets and we can get you the tickets you are searching for. If you want to attend a particular Hair event we are best source for sold out Hair Tickets. YayTickets.com also welcome corporate accounts and big groups searching for Hair tickets!

YayTickets.com has been a ticket broker for years and pride ourselves on giving our clients excellent service, low prices and reliability.

Consider YayTickets.com for all of your other entertainment needs. YayTickets.com also sells tickets to all major Concerts in the country. We also acquire concert tickets, MLB tickets, NHL tickets, NCAA football tickets, NBA, PGA golf tickets, title fight boxing championships, rock and roll concerts, comedy show tickets, and theater tickets including Broadway and Las Vegas shows. Yaytickets.com strives to offer our customers the best in quality service while keeping the lowest pricing. If there's an event not listed, please don't hesitate to contact us for any orders or special requests.